— Portfolio of Harpreet Bains

Cobra Starship are late. Nobody seems to particularly mind. One thing we have learnt recently is that people who work with Fueled By Ramen are surprisingly laid back, given the ‘cult fame’ status of the artists, and the mass hysteria of their teenage fans. Fueled By Ramen is definitely just one big, weird, happy family, and for the hour or so we spend with them, we feel completely included.

Our interview turns out to be with just one member of Cobra Starship – Gabe Saporta – but before this we are given the opportunity of a quick hello with Ryland Blackinton (Guitar), and Nate Novarro (Drums).

Gabe fronts Cobra Starship on vocals, and you’d be forgiven for thinking he was the only member. He is already well known in the industry as former-Midtown vocalist and bassist, and the band originates from a vision Saporta claims to have had in the desert, where a cobra from the future arrived in a starship (get it?) and told him of his purpose in life. Although Saporta is the main focus of our interview, Victoria Asher aka Vicky-T (Keytar) and Alex Suarez (Bass) are both present and chime in from time to time, and it becomes obvious that there is no hierarchy within the band; they are all equal, all friends, and all in it to have a great time.

 

The Cobra from the future that nearly killed you in the desert –

Gabe: It never intended to kill me. I was on the brink of death, but little did I know that I was never in harm’s way.

 

Okay, but the cobra said your purpose in life is “to make sure mankind goes out in style by teaching hipsters not to take themselves so seriously and by telling emo kids to stop being pussies”. How is that going?

Gabe: Everyone loves that line over here! How’s that going? It’s going rather well, wouldn’t you say? I think kids are having fun. I think that, you know, kids are starting to wear less mascara, you know, boys. I think that’s always a positive thing. Kids are having fun. Our whole point is to make going to shows an enjoyable experience. Whether someone’s preaching from the stage or feigning being upset about something, the one time you go to a show a month, like, forget about your problems and that’s it. And the hipsters are like us [gesturing to himself and Vicky-T, who is also in the room]. So we taught each other how to have a good time and stop taking ourselves so seriously.

Vicky-T: Although Gabe takes himself very seriously!

Gabe: I do not!

 

How would you go about saving the lives of hundreds if there were snakes on your plane?

Gabe: Oh, well…I mean, I have a special relationship to cobras in particular, but all snakes. I’d just talk to them and be like –

 

Are you a Parseltongue then, like Harry Potter?

Vicky-T: Yeah, I was just thinking that.

Gabe: A what? I don’t know what Harry Potter is. Is that like Mary Poppins or some shit?

 

Seriously, have you never read Harry Potter?

Gabe: I hate Harry Potter. I hate it. No offence to you guys. It’s nothing personal. I hate Harry Potter, I hate Lord of the Rings, and I hate Star Wars.

Vicky-T: I hate Lord of the Rings.

Gabe: Lord of the Rings is the worst! When I saw the first one I was like “this is a pretty good story”, but it’s just the same thing happening, each place they went to. “OH! We’ve gotta find these people and have them join our battle, and then these people!” Like, the whole story could fit. You don’t need a trilogy to tell a story! You could’ve told it in one movie, you know. I couldn’t stand it. I just felt like I was being taken for a ride.

 

…So you’d speak to the snakes?

Gabe: I’d just tell them to chillax. Be like “Hey, man. Let’s just watch the movie on the plane, you know? You got your own guiding system, you can change the channel, go to the bar, you know? Maybe they’ll let us go up to first class…just chill out and let’s all have a good time.”

 

You’re doing one of the songs for the Teenage Mutant Ninja Turtles film –

Gabe: Done! Did!

 

Right, but who is your favourite Teenage Mutant Ninja Turtle?

Gabe: Dude, I have two. When I was younger, I always loved Michelangelo, the party dude, you know? But I also really looked up to Leonardo. I kind of always wanted to have his leadership abilities and his deep philosophical understandings, you know? So I kinda wanted to be a mixture of both.

 

On previous tours, have you been in really embarrassing or humorous situations?

Gabe: I mean… everyday I play a show, it’s kinda embarrassing, but that’s the fun of it. What do I think…What’s embarrassing? Victoria, help me out?

Vicky-T: I’m trying to think.

Gabe: I know what’s really embarrassing. It didn’t happen to me, it happened to Ryland, though. At the last show on the 30 Seconds To Mars tour, we played in LA and Paris Hilton and Britney Spears were there, backstage. And Ryland was hanging out with one of the dudes from Head Automatica, and Paris was walking on the steps, and the dude from Head Automatica shouted: “Hey! Give us a ‘Night in Paris’!” like that video she made, and then the dude ran off! Ryland was just standing there, so she just looked at him, and her bodyguards looked at him, and he got in trouble and stuff.

 

Which bands have you had the most fun touring with?

Gabe: I think that our first tour we did, the Gym Class Heroes tour, that was probably the most fun, because that was our first tour. We shared a bus with Gym Class, so we stuffed 15 dudes into a 12-man bus. It was like packed sardines. They’re our bros so it was just a lot of fun being cramped on a bus and going on an adventure. It was cool.

 

What’s it been like touring with Fall Out Boy?

Gabe: This is going to be our third show tonight. I toured with them before, with Midtown. Those dudes are awesome dudes. I guess the best part about it is there’s so many kids here so you can use that opportunity to play for a whole bunch of new fans and make them our fans.

 

Which bands or artists do you listen to that you think would surprise people?

Gabe: I guess most of the stuff we listen to, kids never know it, so I guess that’s surprising to them. Like, a band we all listen to is a band called Ratatat. Have you heard of them?

 

No…

Gabe: They’re just an instrumental band, these two dudes.

Alex: It wasn’t that surprising.

Gabe: It’s surprising!

Alex: I listen to a lot of heavy metal. I like a lot of early Metallica. And Iron Maiden.

Gabe: I like early 80′s Puerto Rican music like the Cover Girls and Stevie B. I call it roller-skate rink music, but it’s actually called freestyle. But when you’re listening to music at a roller-skate rink, that kind of shit, you know? I love that stuff right now, for real. I’m not even joking.

 

We heard that you love Justin Timberlake.

Gabe: I do! My idea for doing this band was that I wanted to be a punk-rock Justin Timberlake. I think I’m doing a pretty good job, I gotta say. But it’s funny because this girl I know, her mother worked at a law firm where *NSYNC were at when they were younger, so she knows Justin. And she gave him our record. And Justin actually listened to it, supposedly. That’s what she told me. And you know how we say “I’ll be your Biggie, you’ll be my Lil’ Kim”? So Justin Timberlake was like “Yo, how come he shouts out Biggie? Where’s my shout out?” so on the next record, we’re gonna do a Justin shout out.

 

If Cobra Starship was a party, what kind of a party would it be?

Gabe: Well first of all, people would totally dance. Everybody would be dressed fashionably but not pretentiously. Like, put thought into what they’re wearing, but not have to be necessarily slaves to brands, for example, like Suarez.

Alex: Like, this is French Connection UK.

Gabe: No, it’s not, is it?

Alex: Yeah.

Gabe: Good job.

Alex: H&M shirt.

Gabe: H&M?! Those aren’t really good brands!

Alex: I got a hole in my jacket, and no buttons on the front!

Gabe: That’s what I’m saying. Alex, he looks good, you know.

Alex: I can go to a party and make everybody look at me. What they’re thinking is a whole different story, but everybody stops and takes a peek and goes …. [gasps]

Gabe: Um, people would definitely be dancing, having a good time and not caring. There’d just be good music playing… like, Ivy League…

Alex: Is this the ultimate Cobra party? What it’d be like?

 

It’s what your band would be if it were a party.

Alex: Oh! Packed! With all people who are over 6’3″.

Gabe: Yeah, exactly, everybody would be really tall.

Alex: Everybody has to be really tall, everybody’s dancing like crazy, drinking a lot, but not too much.

Gabe: The thing is, we’re all really so tall, and when you see us on stage you can’t really tell that we’re tall because ALL of us are tall, you know? And then when people see us they’re like “Wow! You’re so tall!”

 

What’s your favourite lyric on the album?

Gabe: There’s a couple, but I really like “If you’re strapped for cash, I’ve got for a job for you, my boots need shining, son”. I just think it’s like, sassy, and in some ways embodies what Cobra Starship is which is like, just having a good time and taking the piss…? As you guys would say.

Chicago’s scorching music scene is currently the epicentre of music in America. Bands such as Smashing Pumpkins, Fall Out Boy and The Academy Is… have all successfully emerged from the Chicago scene and spread their music across the globe, conquering one country at a time. Madina Lake are about to follow the same path.

The Chicago-based quartet, comprising of twin brothers Nathan (vocals) and Matthew Leone (bass), Mateo Camargo (guitar) and Dan Torelli (drums), recently toured the UK with rap rock group Gym Class Heroes. I caught up with Dan Torelli on the last date of their UK tour.

 

Nathan ripped his lip open during your show in Oxford. How is he?

Dan: He is okay. He looks better after about a week of looking like a Frankenstein kind of monster.

 

How did he do it?

Dan: He usually ends up jumping into the crowd every night. He was getting held up by a bunch of people, somebody let go, and somehow he just fell and landed on his face. He came back onto the stage, and of course, there’s blood just pouring. So he turns around, looks at me like ‘Is it okay?’ and I’m like ‘Yeah it’s fine!’ because we didn’t want to stop playing. But we did have to cancel one show, because the next day he could barely talk. You could barely make out words because his lip was so swollen, let alone sing.

 

Have you, or the rest of the band, ever been injured during a show?

Dan: Matthew broke two ribs last time we did our UK tour. Unfortunately it wasn’t something cool like jumping off the stage, or anything. We have this little bus that we tour in and the bunks are real high and he was on the top bunk. We were just fooling around at night, throwing things at each other. He leaned out to throw something, had nothing to grab on to and belly-flopped on the ground. He played with two broken ribs. I don’t think Mateo’s had anything. I’ve been hurt. I’ve never had to go to the doctor or anything.

 

How would you describe your music to people who have never heard of you?

Dan: That’s probably seriously the hardest question any of us get asked, because when it’s your own band, it’s really difficult. I usually just say hard rock. I guess that would be the big blanket that it would be under. But with a lot of electronics too.

 

You’ve got a really busy touring schedule. You’re playing Bamboozle, Warped Tour and Give It A Name. What else have you got planned for 2007?

Dan: This is our last show of our UK tour, we’re doing some things tomorrow and then we go home. We have about a week and a half off and then from there it’s going to be just crazy for the rest of the year. We have six weeks with a band called Halifax in the States, which is awesome. Then we come back here, do the Give It A Name Festival, then back to the States for Bamboozle and Warped Tour during the summer.

 

Are you nervous about Give It A Name, because it’s a massive audience?

Dan: Really nervous. We’ve never done anything like that. The biggest show I think we’ve done in the states was 3,000 people, which is big to us at this point. We found out we got Give It A Name and we were really excited. We looked online at the venues they’re held at and we were just like ‘Oh my god’. We’re going to puke, probably. That’s like 19,000 person capacity or something.

 

Could you sum up how you came up with the town of Madina Lake and the concept behind the EP and album?

Dan: When we first got together we would talk about everything from music to philosophy to pop culture, everything like that. We had these certain philosophies and, politically, all these different things we wanted to say, but you don’t want to be literal about it sometimes and just come out and say stuff like that. It’s a little bit uncreative. I think that Matthew had the initial idea to make a parallel place, a metaphorical place, where we can have these things happen and have people represent these things and create a story out of it, so people can draw parallels between the two. We took a town in the 50s because we wanted it to be separate from now. It’s like a small version of pop culture in America today.

 

Are you going to develop a concept over a number of albums, in the same way as bands like Coheed and Cambria?

Dan: Yeah, sort of like that. It’s kind of weird though because we don’t even have one record out yet, so to say you’re going to make a story over three records…who the hell knows if we’re going to get a chance to make three records? I don’t even know. We would like to. The first record is done and it has this thing around it, so we’ll definitely continue it in the second record, lyrically and story-wise as well.

 

If you could play just one Madina Lake song to someone who has never heard of you or your music to convert them into a fan, which song would you play, and why?

Dan: Probably ‘Adalia’. It rocks really hard, it’s short and to the point, and it has a lot of different elements. It’s got a punk rock element, a weird Latin feel in the chorus, and a heavier breakdown in the end. Musically, there are just a lot of different things happening. So, I think it represents the record as a whole, because the record’s got some pop and punk elements and it’s got some dark and mysterious elements.

 

Which bands, that are currently writing and touring, do you listen to and get inspiration from?

Dan: Man, Muse is probably the biggest influence on us lately. It’s not really so much in our genre, but I mean musically, both of the records that they have out right now I’d say we’re probably most infatuated with. The new My Chem[ical Romance] was awesome when that came out too. Matthew and Nathan, the two brothers, are the biggest Smashing Pumpkins freaks you will ever know.

 

Are they excited about the reunion?

Dan: Oh my god, they’re having heart attacks! They have every record, all the imports, all the crazy things, so they’re constantly listening to that. And we listen to a lot of old stuff too. I mean, for inspiration, it’s not necessarily always new; a lot of it’s like Rage Against The Machine.

 

Which bands that are around now do you dislike, musically?

Dan: I enjoy pretty much everything musically. What bothers me is just when something is just so manufactured that it’s kind of soulless. It’s just like the whole super pop thing. There are so many artists out there who don’t even write a lyric, or a melody line or anything like that. It’s like they’re a celebrity first and then an artist second.

 

How has it been touring with Gym Class Heroes? Obviously you’re two very different genres.

Dan: It’s very bizarre. It’s a hip hop group opening, and us, and then a hip hop group closing.

 

What kind of people do you get at the shows?

Dan: It’s been two completely different groups of people. It’s not like a weird hybrid kind of person that likes everything. It’s interesting, because you’ll see a group of kids for Hangar 18, then we play and you can tell our fans for sure because they’re jumping and they’re screaming. But then there are groups of people chilling, and then when Gym Class comes on, they run up front.

 

Will you be doing a headline tour in the UK?

Dan: Yeah, but that’s probably not going to come for a while. The record doesn’t come out until the end of March and we’re going to have to sell a load of them before we do that. So if everything goes well, and everybody’s happy, then we’re going to try to come back and do a headlining tour maybe somewhere around September or October.

After a period of indulging in the glamorous yet prosthetic Los Angeles lifestyle, Pete Wentz and his band mates return, with their ridiculously long song titles, to wow fans with their third album ‘Infinity on High’.

The Chicago-based foursome’s 14-track album is influenced by a wide range of genres. ‘I’ve Got All This Ringing In My Ears and None On My Fingers’ features swing dance and jazz influenced guitar riffs, and Joe Trohman shows off his musical prowess during a Spanish guitar solo on ‘Thnks fr th Mmrs’.

‘The Take Over, The Break’s Over’, one of the strongest tracks, gives an insight into Wentz’s new-found celebrity lifestyle (“I’m boring but overcompensate with headlines and flash, flash, flash photography”) and his opinions of Fall Out Boy’s critics (“People will dissect us until this doesn’t mean a thing anymore”).

‘You’re Crashing, But You’re No Wave’ is very much a political track. It sees Wentz develop as a lyricist by moving away from writing lyrics from his own perspective. He was clearly influenced by his protégées, Panic! At The Disco, after seeing how successful they were in 2006. Coincidentally, ‘You’re Crashing, But You’re No Wave’ features vocals from Panic! At The Disco’s guitarist and lyricist, Ryan Ross.

‘Hum Hallelujah’ documents the night Wentz, who suffers from depression, tried to commit suicide. “A teenage vow in a parking lot, till tonight do us part, I’ll sing the blues, and swallow them too.” It is one of the most personal, emotional and insightful songs Wentz has ever written for release. The track samples Jeff Buckley’s ‘Hallelujah’, the song Wentz was listening to when he overdosed on anti-depressants.

The heaviest track on the album, ‘The Carpal Tunnel of Love’, is a classic Fall Out Boy track, featuring Wentz screaming bizarre lyrics such as “it was ice cream headaches and sweet avalanche when the pearls in our shells came out to dance”.

‘Thnks fr th Mmrs’ is another strong track. It begins with a string introduction that would not sound out of place in Tim Burton’s classic film ‘The Nightmare Before Christmas’. With a huge poppy sing-along chorus, this is sure to be a popular live track.

While ‘From Under the Cork Tree’ cemented their success and breakthrough into the rock scene, ‘Infinity on High’ will cement their success in the mainstream music market. Not a Fall Out Boy fan? You will be after hearing this album.

A UK retailer is teaming up with Arts London’s Textile Futures Research Group to fund a full-time, three-year PhD studentship on ethical and eco-fashion.

Neal’s Yard Remedies, a British chain selling organic cosmetics, will donate £20,000 a year including fees to the successful individual.

The Textile Futures Research Group is a cross-college project that links Central Saint Martins College of Art and Design and London College of Fashion.

“Applications relating to ethical textiles for fashion, accessories and product development, eco-design and sustainable practice in textiles are particularly welcome. The successful applicant will be supported by the expertise of the cross-college TFRG Unit while based at one of the participating colleges,” says Dr Jane Harris, director of the Textile Futures Research Group.

The studentship starts in October 2008. The closing date for applications is March 7 at 5pm.

Two Chelsea College of Art and Design graduates have designed the £100,000 wedding dress Coleen McLoughlin will wear when she ties the knot with Wayne Rooney.

Georgina Chapman and Keren Craig, based in London and New York, design for the fashion house Marchesa. The pair can list Mischa Barton, Scarlett Johansson, Penelope Cruz and Jennifer Lopez as some of their many clients.

Coleen, set to wed Rooney in the Mediterranean in June, fell in love with Marchesa’s unique designs after spending 12 months looking for the perfect wedding dress. She has been flying back and forth to New York for dress fittings.

Chapman graduated from the Wimbledon School of Art in 2001 and embarked on her career as a costume designer. Craig graduated from Brighton Art College in 2000, focusing on print and embroidery design.

They met each other at the Chelsea College of Art and Design after graduating from their respective colleges and established Marchesa, named after the eccentric Italian style icon Marchesa Luisa Casati, in 2004.

Marchesa’s collection is defined by elegant eveningwear with vintage and Asian influences.